ART, 1 through 2 (bonus feature: 3)
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PART TWO
I have only one answer to everything, and that is to do a handstand. When they ask if I would like a receipt, I of course do a handstand. When someone says “Watch where you’re going!” I do a handstand–not the other way around. And if someone says, “Don’t I know you?” My handstand says, “perhaps.” Late at night, when the world grows gentle and soft, I draw a picture of someone doing a handstand–it’s good practice. And then I let him be eaten by an octopus. “I didn’t draw that!” I swear. I run away as quickly as I can, on my hands, red and sweet.
PART THREE
I looked at the her photograph after I watched her movie and felt very uncomfortable with it. There was something missing – her hair was in a pretty black braid and her eyes were like stars of course and her hands were held in a broken prayer and threshed wheat stood behind her gently brushing the background.
“It’s the brick wall!” I thought to myself. “Where is the brick wall surrounding her?”
Of course there was no brick wall. I should say: there was no reason for a brick wall around her. Unless you count her loss – her family’s gone, now, and so are her friends, her husband, her flowers, her photographer. Never again will she eat a hamburger to make her mother happy. And who can explain cows? Nevertheless, a brick wall would be a nice thing to have, next to the stars. Dontcha know. And so her father holds her hand and watches television. The cat is there, or was, not understanding nothing. Nothing's missing. It's all right. Eventually, you stop. I don’t think there is anything missing.
And Carl Perkins was playing, of course, in her eyes.
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